To make a compelling first entry in a series is hard enough. It’s often the second release that makes or breaks a series. The term ‘sophomore slump’ is widespread for a reason: it is extremely difficult to repeat a strong beginning.
This is especially true for novels, even moreso for fantasy or sci-fi novels. A great concept can yield a great first go, but not every good idea is a scalable one, and not every character or set of conflicts can continue to be interesting.
However, author Christopher Paolini did have one thing up his sleeve on “Eldest,” which is why it succeeds in such a tricky spot: experience.
“Eldest” was published in August 2005, three years after author Christopher Paolini self-published “Eragon” and two years after that novel’s international Knopf-published release. Paolini was 15 years old when he began writing “Eragon,” and while his talent was clearly on display there was evidence he was a green writer.
So when Paolini started “Eldest,” he was about 20. Five years is a lot of time when it represents a quarter of your life, you’re not a teenager anymore, and you’ve published a booming success of a first novel.
Paolini rather smartly expands the story’s reach, following three stories: Eragon and Saphira, Roran, and Nasuada. He builds each small arc to a climax before switching to a different story, making the book an easy pageturner.
I’ve probably read “Eldest” four or five times before this time, and I’ve experienced all the major story beats, and I still anticipate and enjoy reading them. To create something that is re-readable is a feat, and the book begins with a bang and ends in a glorious cliffhanger that slaps an exclamation point on the novel, which sees major characters undergo significant strife.
Still, “Eldest” is not perfect. If “Eragon” was Star Wars, “Eldest” is Empire Strikes Back. After helping the rebellion, the main character achieves important status within the rebellion. After an initial conflict, the young adventurer goes to complete his training with a hidden member of his magical order in his secret lair. Meanwhile, his friends endure much hardship in an attempt to flee the empire. Finally, the main character takes his leave of his master before completing the training to help his friends in their struggle against the empire. There, he faces and is defeated by a fearsome foe. The foe attempts to convince the main character to join him on behalf of his master the emperor. The main character escapes, but not before being told a terrible and surprising piece of familial information by his foe. The story ends on a cliffhanger, as though total defeat did not occur all is not well.
Am I describing “Eldest” or Empire there? It could be either!
However derivitve its overarching plot, “Eldest” knows what it is and carries out its purpose magnificently. It is not a transcendentally great novel by any means. But it continues and expands the story, propelling the story along to the halfway point in the Inheritance Cycle. That is no small feat.