My favorite books of 2022

When I was a kid, I was a voracious reader. I read books like it was my job. This was especially true when I had a summer break: one summer, I re-read all seven Harry Potter books in a week. I had nothing else to do, and it was glorious.

Reading is harder nowadays not because I like reading any less, but because I have less time. There are no summer breaks anymore, but beyond that, video games are getting longer and longer and the amount of television shows available via the internet is never-ending.

I read a modest amount in 2022 compared to my standards, but I read enough to have a solid top three plus an honorable mention. So, here we go–the first favorite books list!

Please note: these are not all from 2022. They are just my favorite books that I read, and by starting this tradition, I hopefully will be able to read more in 2023. Also: I read, pretty much exclusively, science fiction and fantasy. So if that’s not your vibe and you want to hop elsewhere, fine with me.

Honorable Mention: This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

This is How You Lose the Time War is a novella, meaning it is shorter than a standard novel; the Nebula Awards defines a novella as a work between 17,500 and 40,000 words, and even shorter YA works are generally between 50,000 and 70,000. But it is still a book, and in its case, its short length works in its favor. The book is about two opposing agents in a time war that stretches through history, and their letters that they end up leaving for each other along the way.

As a result, much of this book consists of these letters in the particular voices of each character as written to each other. There is essentially no dialogue between the two. In that way, it is very unique. But it’s also creative and endearing, and there are very few better ways to spend a day than reading through this book.

Bronze Medal: Project Hail Mary by Andy Weir

Andy Weir famously made a splash with his debut novel, The Martian, which got turned into a movie starring Matt Damon. His second book, Artemis, was also excellent, and a very different story that never stranded its main character on an island, instead forcing said character into interactions with a wide variety of people.

In Project Hail Mary, Weir goes back to the well of “scientist, alone, who needs to figure stuff out” and is, predictably, very good at it. But Project Hail Mary has a few twists in it that The Martian does not, giving it its own flair. Additionally, this book is easily the most speculative of Weir’s work, which skews very closely to the “hard sci-fi” subgenre. Taking that into consideration, this might be the best of Weir’s three novels. It’s hard to put down.

Silver Medal: The Kaiju Preservation Society by John Scalzi

There are a lot of sci-fi and fantasy books that are part of larger stories, be they duologies or trilogies or cycles or whatever you would call The Wheel of Time (a wheel?). So when you encounter a standalone novel, it’s a treat. The first three books on this series are standalone novels, which I can probably guarantee you will not be the case next year.

What makes The Kaiju Preservation Society different from the others so far on this list is that it is bursting with the potential to spawn multiple stories within its universe. But it is restrained and self-contained, leaving you wanting more in a good way. The novel is about a secret organization whose mission is to research and preserve kaiju, giant Godzilla-like creatures. Its protagonist is a sort of fish out of water everyman, and its combination of fascinating worldbuilding and interesting quirks (it takes place in the heat of the pandemic, which is part of the plot) make it extraordinarily readable. The Kaiju Preservation Society is a pop song, Scalzi says in the notes, and it’s just like that Taylor Swift single you can’t help but dance to.

Gold Medal: Network Effect by Martha Wells

What is science fiction if not a way to examine what makes us human in different contexts and from different points of view? The Murderbot Diaries are about the titular character, a human-made construct who found a way to overwrite a piece of software to achieve the freedom they want: the ability to watch as much television as possible while still ensuring they maintain their job. Along the way, Murderbot meets humans and AI alike who see and treat them with full dignity, and Murderbot’s struggles to find itself is heartwarming.

Network Effect is the sole novel in the series, which had consisted of smaller novellas to that point. And, well, everyone loves Murderbut. Network Effect is one of 26 novels in the past 60 years to win both the Nebula and Hugo award for best novel, and it deserves it. This book won my gold medal because I loved every second of every page and I wanted more once I finally finished. The cast of characters is wonderful, the story is compelling, the intricacies of the universe are fascinating, and you end up loving Murderbot more with every snarky comment and existential frustration and reference to their favorite show, the fictional Rise of Sanctuary Moon.

I challenge you: start reading All Systems Red, the 2018 novella introduction to The Murderbot Diaries, and I dare you not to finish it with a smile on your face and keys in your hand as you rush out to the library or the bookstore for all of the rest of the series.

Cyberpunk Edgerunners anime moon

My favorite anime of 2022

Towards the end of this year, something happened: I lost steam watching anime.

I blame two things for this. First, the medium isn’t new to me anymore; watching every anime in 2020 was a brand new experience, but at this point my bar for what I enjoy is higher. Second, for the most part, I’m watching shows as they release weekly. With hour-long dramas, I think this is fine. But I’ve sort of grown to hate it for anime—with 22 minutes of content, it takes watching multiple shows every week to get the same kind of enjoyment that I got from watching Fringe or Stargate.

So, for 2023, I think I’ll turn to some older entries that have a lot of episodes all available at once. Some of my favorite shows over the past year or so were older shows that I could watch at my leisure, like Fullmetal Alchemist: Brotherhood this year or Honey and Clover and Sakura Quest the year before. As a dub watcher, you’ve got to wait a long time until a full show is available to stream with weekly release dates that lag sometimes months behind the Japanese releases.

But, for now, here are my favorite shows of the year. Just like last year, eligible shows were any season of anime whose dub aired in 2022. I’d also like to give a short shoutout to Love is War: Ultra Romantic, Ya Boy Kongming, and Chainsaw Man, which didn’t quite make the below list but were nevertheless great shows.

Honorable Mention: Call of the Night

When putting this list together, one factor I considered was “How much do I look forward to watching this show every week?” And you know what: I loved being able to turn on Call of the Night after the dub episode dropped.

The show is about a middle schooler who tires of school and daily life and ends up wandering at night because of the freedom he felt while doing so. Along the way, he meets a vampire, who he hangs out with in an attempt to become a vampire himself.

Why did I like Call of the Night so much? Well, to put it into one phrase: the vibes are immaculate. The night is depicted with this kind of hyper stylized beauty, and it captures so brilliantly the feeling of being alone in a city with the crisp air nipping at your ears. Natalie Rial also puts on a masterclass as the voice of Nazuna, probably my favorite vocal performance of the year.

Bronze Medal: Takt Op. Destiny

As I watch more seasonal anime, I get more and more frustrated that shows don’t have endings or are anywhere close to ending. All three of my main awards have solid endings; yeah, they’re under 13 episodes in length, but the quality of the story is what really matters to an anime sticking in my consciousness.

Takt Op. Destiny is an anime that is actually a part of a mixed-media project that will also include a mobile game. It has no being this good, but it is. The broader story and world building is kind of nonsense—it’s just not explained well—and you sort of have to just shrug and keep watching when something happens that doesn’t make sense. But where it falters on that front, it nails the moment-to-moment struggles of its characters as they go on their quest. It’s also music related (classical music at that!) and has some wild action sequences and even wilder character designs.

If only the worldbuilding wasn’t so confusing, it might have been higher. Sometimes, anime animes. Still, it’s worth watching.

Silver Medal: Lycoris Recoil

There are a lot of anime out there, and a lot of great anime out there, but if someone who had never seen anime before asked me what one anime they should watch, my answer would be Lycoris Recoil.

LR—can I call it LR? It’s my blog, I do what I want—is impressively representative of a wide swatch of anime tropes, character types, and story beats while being simultaneously clever and original. Strong high school girl protagonist(s)? Check. Band of misfits in a found family situation? Check. Cool animated action? Check. Some wholesome slice of life shenanigans? Check. Happy go lucky tone with occasional flashes of life and death drama? Check. Set in Tokyo? Check. Seemingly obtuse storyline that eventually but not completely snaps into place? Check.

The characters are great (and, specifically, the character arcs are great) and the show never has a dull moment. It comes to an end while leaving room open for a sequel series. It’s a blast, it’s funny, and it makes great use of animation as a medium. What’s not to like?

Gold Medal: Cyberpunk Edgerunners

You wouldn’t think that an anime made from the Cyberpunk IP would necessarily be any good, especially after the launch of Cyberpunk 2077 was such a controversial and buggy mess. But you’d be wrong! Cyberpunk Edgerunners, set prior to the events of CD Projekt Red’s game, is simply the best anime I’ve seen this year (but be warned; it is bloody as all get out).

When it comes down to it, my favorite anime have three things in their favor: visual style, great characters, and a sense of place. Edgerunners nails all three aspects of it. Every single character in the gang with significant screentime is fleshed out and complex, and the plot is driven by their decisions and values—flawed as though they are. The art style, fight choreography, and aesthetic are fabulous. And Night City is as much of a character as Lucy or David are.

Ultimately, Edgerunners draws you in with its action, setting, and pacing and keeps you hooked by making you love its characters and their struggles and dreams. Its ending is earned, bittersweet, and incredibly emotional. To top it all off, its music choices are perfect. Just a complete winner of a show.

God of War: Ragnarok. Midgard. Kratos and Atreus.

My favorite games of 2022

I didn’t play the volume of games that I wanted to, in part because the last few months of the year were total chaos for me. Most of 2022 was like that, really. What a mess of a year.

Fortunately, I was able to play the games that I really wanted and I don’t even have a bunch leftover. In January, I’m going to hit the Cuphead expansion (co-op mode, baby), kick off Cyberpunk 2077 (which I am considering a 2022 game thanks to the big next-gen release that overhauled a lot of the game), and get to Stray (in which you play as a CAT).

So this list, which had in the previous few years showed up in February or March, is hitting now. Huzzah! This is partly due to how much I like a few of these, partly because I played a few that I didn’t really enjoy, and partly because a few that I thought looked good received poor reviews. In any case, here we are.

Honorable Mention: Trombone Hero

Look, there are other, better games this year. But video games are beautiful because you can play a serious game designed by hundreds of people over a five-year span or you can play a game designed by a dude that features incorrect facts about trombones and also baboons for some reason. Trombone Hero is not complicated, but it is equal parts tricky and hilarious.

Video games are weird in that you can have these epic 40+ hour journeys and also games where you can spend a few glorious hours enjoying and that’s that. Trombone Hero is the latter, and that’s ok! There is no way you won’t be able to laugh at Trombone Hero. It’s such a delightfully weird, bizarre, joyful game. A+ would trombone again.

Bronze Medal: God of War: Ragnarok

I never played the original God of War games for the Playstation 2 and Playstation 3, but the 2018 reboot was sufficiently interesting for me to play it (not the least of which because one of my favorite actors from my favorite TV show, Christopher Judge of Stargate SG-1 fame, became the new voice of Kratos). And it was great!

The long awaited sequel almost didn’t make this list. Yes, it’s excellent, with the same engaging combat, effective music, and wonderful performances from the cast. But the Atreus gameplay sections drag, and there were multiple instances of it lazily falling back on stock standard Triple-A game cadences to a frustrating degree. Additionally, Ragnarok isn’t markedly better than the 2018 reboot; while that’s not a bad thing because of how good God of War was, it doesn’t really move forward.

However, the last third of Ragnarok is absolute nails. Every narrative setup, every character setup, and every gameplay setup pays off satisfyingly. Ending a game and a series is hard, but Ragnarok does it perfectly. It’s just so well-done.

Something Medal: Triangle Strategy

Triangle Strategy owns the dumbest name in modern gaming history, non-Kingdom Hearts edition. But it was my most played game on Nintendo Switch this year and it was so compelling that I played it twice.

There are some flaws with Triangle Strategy and it is very wordy and verbose; the first battle isn’t until you’ve done like an hour of cutscenes, and there are a lot of cutscenes. I didn’t mind it, though. The world is well-constructed and the characters are compelling (Benedict is a war criminal who I hate because he’s right most of the time, and Frederica has a brave and wonderful moral compass we all wish we had if said moral compass could also set people on fire).

But the game’s combat and visual aesthetic really set it apart. It’s hard without being punishing, and it feels so rewarding to conquer a tough map. Every new battle is a new challenge. Oh, and did I mention that it has a great decision making system where you have to convince your party to vote for the path you want to take, and that you can fail to convince them? Solid.

Something Medal: Horizon: Forbidden West

Horizon: Zero Dawn was, in some ways, an impossible game to follow up. Its core mystery couldn’t be replicated. A sequel couldn’t come out of nowhere. And the allure of the world wouldn’t offer the same delights or wonder in a sequel. There’s no way that Forbidden West could match Zero Dawn’s brilliance.

And yet, somehow, against all odds, Forbidden West is a wild success. It does so by improving in every way upon the gameplay of the first game, offering more ways to do stuff and kill robot dinosaurs than ever before. It does so by broadening and deepening the cast of characters Aloy interacts with. And it does so by providing more things to do in a much larger map.

I kept thinking about this game for months, and I occasionally still think about it. It’s so good. I am going to buy the expansion so fast when it’s available for purchase.